Episode 32: The Benin Bronzes, Part II

Listen to the episode HERE on Soundcloud or visit the podcast on iTunes, either through the Podcasts App (just search for “Stuff about Things Art History”) or by clicking HERE.  Happy listening!

Sources:

Essays/Articles:

Additional materials:

Images:

Ancestral shrine
Ancestral shrine in 1891 that would be looted in 1897. Photograph taken by a British trader visiting the city [image credit: The Smithsonian National Museum of African Art]
Photograph of members of the Benin Punitive Expedition amongst looted objects, 1897 [image source: The British Museum via Wikipedia]
File:Interior of Oba's compound burnt during siege of Benin City, 1897.jpg
Members of the Benin Punitive Expedition amongst loot, specifically bronze plaques [image source: Reginald Kerr Granville]
Rows of artifacts taken in the raid. Prior to being stolen, the artifacts were used in altar displays to represent departed people like obas or queen mothers.
Photograph of Benin City loot after 1897 expedition [image credit: Capt. Herbert Sutherland Walker via Mark Walker via NYT]
Piles of ceremonial tusks  taken by the British in Benin City in 1897, according to Captain Walker, who wrote the caption “more loot” below the photo in his diary.
Photograph of Benin City loot after 1897 expedition. Captain Walker labeled the image “more loot” along the bottom of the photograph’s matting [image credit: Capt. Herbert Sutherland Walker via Mark Walker via NYT]
Ugbine memorial (possibly a grave also?) to the 1897 “massacre” of Phillips and six other British men [image credit: The British Museum]
Oba Ovonramwen with his Wives and household attendants, taken c. 1912 while in exile in Calabar [image credit: Wikipedia]
Oba Ovonramwen en-route to his exile in Calabar; behind him are three British-trained soldiers [image credit: The British Museum]
Benin Punitive Expedition, 1897 [image credit: British Museum]
Deforestation in the name of creating a railroad to the newly-built Palm Oil Factory, post 1897 [image credit: The British Museum]
Many people in Benin City want to reclaim not only the stolen physical objects, but the narratives associated with them, and the right to tell their stories to the world.
Present-day Benin City [image credit: Tom Saater for the NYT]
Benin City National museum of modern african art
The Benin City National Museum today (opened in the 1973) [image credit: MoMAA]
Prince Edun Akenzua, left, and Mark Walker in 2014, at a ceremony in Benin City to return two artifacts.
Prince Edun Akenzua (brother of Oba Erediauwa) with Mark Walker. In 2014, Walker returned the two bronzes that his father, Captain Herbert Walker, had looted from Benin City [image credit: Kelvin Ikpea/Agence France-Presse via Getty Images via NYT]
The Okukor, a bronze of a young rooster or cockerel, on display in the dining hall of Jesus College at the University of Cambridge [image credit: Bruno Claessens]
Benin bronze cockerel
Prince Aghatise Erediauwa (at center) with the bronze known as “Okukor,” a cockerel, that was returned to Benin City by the University of Cambridge’s Jesus College [image credit: PA Media via BBC]
David Adjaye’s design for the Edo Museum of West African Art [image source: Adjaye Associates]

Happy listening!

-Lindsay

3 thoughts on “Episode 32: The Benin Bronzes, Part II

  1. AJ lloyd's avatar

    Just wanted to say stumbled onto your podcast. Listened to a few. I enjoyed it very much.

    Like

    1. Lindsay Sheedy's avatar

      Thanks so much, AJ! This comment made my day. I hope you continue to enjoy it! -Lindsay

      Like

  2. Michaela's avatar

    Great two eps! Learned alot! Its an important issue to debate on. Thanks for your hard work!

    Like

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